Museumplein, Amsterdam: Museums, Picnics and a Drained Pond

by Bubbly
7 min read
Picnic tables under white umbrellas on Museumplein, Amsterdam, with yellow tulips in a tub and the Rijksmuseum behind

I passed through Museumplein more times than I can count on this trip. It sits between the Rijksmuseum, the Van Gogh Museum and Moco, and it is a short walk from the brunch places on the edge of De Pijp, like Locals and Flow. Every time I headed to one of them, I crossed the square.

I expected tulips. Specifically, I expected the long pond in the middle of the square full of water, with tubs of tulips floating on it. Instead, I got a drained basin and a construction site. No worries. People in Amsterdam know how to celebrate, and they made the most of the food trucks and picnic tables instead. It was nice to see.

Museumplein at a Glance
🏛️ The museums · The Rijksmuseum, Van Gogh Museum, Moco and Stedelijk ring the square, with the Concertgebouw closing the far end.
🌳 The square · A big lawn and a long pond, laid out around the Rijksmuseum (1885) and redesigned by Sven-Ingvar Andersson in 1999.
🧺 Free to enjoy · Picnic on the lawn, rest in the free Rijksmuseum gardens, and take in the architecture without a ticket.
🚧 In 2026 · The pond was drained for construction in late April (normally floating tulips in spring, an ice rink in winter).
💎 Nearby · Royal Coster Diamonds on Paulus Potterstraat — a reminder Amsterdam was once the City of Diamonds.

The Square Itself

Museumplein is the open square, lawn and pond at the heart of the Museum Quarter, or Museumkwartier. It was laid out after the Rijksmuseum was completed in 1885, on a street plan by the museum’s architect, Pierre Cuypers. The landscape architect Sven-Ingvar Andersson redesigned it in 1999, giving it the lawns, the pond and the tree-lined edges it has today.

In late April, the pond was empty. Someone had left a shopping cart standing in the middle of the dry basin, which summed it up.

The drained pond on Museumplein, Amsterdam, with an abandoned shopping cart in the middle of the empty basin
In winter, this same basin is turned into an artificial ice rink. In late April it was simply dry paving, with the lawn and the flags at the far end of the square in full view.

On King’s Day, the empty pond became a giant bench. People in orange sat along its rim and filled the paving around it, and the Concertgebouw closed off the view at the far end of the square.

King's Day crowds in orange around the drained pond on Museumplein, with the Concertgebouw at the far end of the square
The Concertgebouw, the concert hall at the far end of the square, opened in 1888. The Rijksmuseum, the Concertgebouw and the Stedelijk Museum all opened within ten years of one another, between 1885 and 1895.

The construction ran along the side of the square near Moco and the Van Gogh Museum. From Moco, I could look straight across it: churned earth, mounds of sand, diggers and vans, with the Rijksmuseum standing behind it all. It was a big site, and I look forward to seeing the finished product.

A construction site on Museumplein seen from above, with diggers, sand mounds and the Rijksmuseum behind the trees
Before any of the museums arrived, this ground hosted the International Colonial and Export Exhibition of 1883. The Rijksmuseum, then still under construction, was finished two years later, and the square was laid out around it.

Food Trucks and Picnic Tables

The square had not stopped working because of the construction. Food trucks and kiosks lined the gravel paths, with folding tables and green chairs set out beside them, and canal cruise ticket booths in between.

Food trucks, kiosks and green café chairs on the gravel paths of Museumplein, with people eating in the sun
Museumplein is one of Amsterdam’s main spaces for big gatherings. Over the years it has hosted festivals, national celebrations and demonstrations, as well as countless ordinary picnics on sunny afternoons.

On a sunny afternoon, every picnic table seemed to be taken, and the tubs of tulips along the paths made up for a little of what was missing from the pond.

The Museums Around the Square

The Rijksmuseum

The Rijksmuseum closes off one end of the square. On King’s Day, a huge Metamorfosen banner hung above its central arch, and cyclists rode straight through the passage under the building.

The Rijksmuseum's front facade with a Metamorfosen banner above the arch, with cyclists and walkers on the approach
The Metamorfosen exhibition ran from 6 February to 25 May 2026 and then moved to the Galleria Borghese in Rome. Its banner hung above the central arch, where the passage runs through the building.

The gardens around the Rijksmuseum were the calmest place on the square. They were peaceful and serene, and people were unwinding there, chatting and reading their books. After a few hours inside the museum, it was a lovely spot to rest.

The Rijksmuseum gardens in Amsterdam seen through an iron fence, with box hedges, a bronze sculpture and a fountain
Pierre Cuypers designed the gardens as an outdoor museum. He set fragments of historic Dutch buildings into the walls and among the beds, pieces saved from buildings that had been demolished.

Further along, a square pond with a small fountain sits below a glasshouse, with lawns where people lie in the sun.

A square pond with a fountain in the Rijksmuseum gardens, Amsterdam, with a glasshouse behind and visitors relaxing on the lawn
The gardens are free to enter, even without a museum ticket, and are open to anyone walking through the Museum Quarter. Chairs and benches are set out along the paths and beside the lawns.

The Van Gogh Museum

Behind the Van Gogh Museum, the lawn was dotted with picnickers, and someone’s dog wandered between them. The museum’s original building, by Gerrit Rietveld, opened in 1973. The curved grey wing facing the lawn was added in 1999, designed by the Japanese architect Kisho Kurokawa.

People picnicking on the lawn beside the curved grey Kurokawa wing of the Van Gogh Museum on Museumplein
Kurokawa first planned a circular pavilion, then reshaped it into an oval to fit Andersson’s new layout for the square. Much of the wing is built underground, so it rises only modestly above the lawn.

The museum’s glass entrance hall faces the square, and the queue at the stanchions forms there.

The glass entrance of the Van Gogh Museum on Museumplein, with yellow curtains behind the glass and visitors queuing
Tickets are sold online only, with timed entry slots. Even visitors with a Museumkaart or another pass have to book a free time slot before they arrive, so booking ahead is the only way in.

Moco Museum

Moco is in Villa Alsberg, a townhouse on the edge of the square designed in 1904 by Eduard Cuypers, the nephew of the Rijksmuseum’s architect.

Moco in Villa Alsberg on Museumplein, Amsterdam, with tulips in planters out front and visitors in orange
Villa Alsberg was built for the banker Siegmund Alsberg and was one of the first private homes on Museumplein. It stayed a family residence until 1939, and the museum moved in 77 years later.

From the park side, the villa looks more like a large family home than a museum, with benches under the trees and tubs of tulips along the fence.

Moco seen from the park side under plane trees, with benches, tulip planters and a large red sculpture by the fence
Moco opened in the villa in April 2016 and shows modern and contemporary work, from street art to pop art, alongside temporary exhibitions. Eduard Cuypers built the villa almost twenty years after his uncle finished the Rijksmuseum.

The Stedelijk Museum

I did not go into the Stedelijk Museum, but its architecture stopped me outside. The original red-brick building, by A.W. Weissman, dates from 1895. In 2012, the architects Benthem Crouwel added a smooth white extension that the architect himself nicknamed the bathtub, and it moved the entrance round to face Museumplein. It is a striking contrast: a sleek modern shell pressed right up against a 19th-century building.

The white bathtub extension of the Stedelijk Museum beside its original red-brick building, seen from Museumplein
The extension is a seamless shell of reinforced fibre, and its roof juts far out over the square, sheltering a covered plaza in front of the glass entrance. Much of the new building is hidden underground.

Diamonds on Paulus Potterstraat

I walked past one building a few times on my way to the museums: an entire villa dedicated to diamonds, with a blinged-out silver bunny outside. It is Royal Coster Diamonds, and it got me thinking about the Dutch diamond trade, which I never knew existed.

The Royal Coster Diamonds building on Paulus Potterstraat, Amsterdam, with red banners and a silver bunny by the fence
Coster cut several of the world’s most famous stones in Amsterdam, including the Koh-i-Noor in 1852 and the Star of the South in 1854. The company was founded in 1840.

It turns out Amsterdam once called itself the City of Diamonds. After Antwerp fell in 1585, many diamond workers moved north to Amsterdam, and Jewish merchants and craftsmen followed in the early 17th century. Jews were excluded from the city’s guilds, so the diamond trade was one of the few open to them. By the second half of the 17th century, Amsterdam was the diamond capital of the world. Much of the rough stone reached the city through Portuguese and Sephardic trade networks, from India and later Brazil.

That world ended in the Second World War. The industry was largely Jewish, and thousands of Amsterdam’s Jewish diamond workers were deported and murdered in the Holocaust. With them went Amsterdam’s place at the centre of the trade.

A Quiet Corner on King’s Day

Museumplein was laid out in the middle of a smart residential area, and the streets around it are still mostly homes. That made it noticeably quieter on King’s Day than the rest of the city. There were people in orange on the square, but nothing like the crowds on the canals.

Bubbly Tips

  • Bring a picnic, or buy one on the square. The underground supermarket and the food trucks mean there is no need to leave Museumplein to eat.
  • Rest in the Rijksmuseum gardens. They are free, and they are the calmest spot in the Museum Quarter after a few hours inside a gallery.
  • Do not count on the pond. The floating tulips depend on the pond being full, and in late April 2026 it was drained for the construction work.
  • Come back in winter for skating. The pond becomes an artificial ice rink in the colder months.
  • Look at the Stedelijk from the square. The contrast between the 1895 building and the 2012 bathtub is worth seeing even without a ticket.
  • Book the Van Gogh Museum ahead. Tickets are online only, with timed slots.
  • Pair the museums with brunch in De Pijp. Locals and Flow, on Eerste Jacob van Campenstraat, are a short walk away.
  • Choose Museumplein for a calmer King’s Day. The square and the streets around it were far quieter than the canals.
  • Walk down Paulus Potterstraat. The Royal Coster building is a reminder of Amsterdam’s diamond history, right beside the museums.

Final Thoughts

I came to Museumplein expecting a pond full of floating tulips and found a dry basin with a shopping cart in it. The square did not seem to mind. The picnic tables were full, the gardens were calm, and the museums were busy all around it.

I look forward to seeing it finished, with the water back and the tulips floating on it. Until then, it is still a lovely place to sit in the sun between museums.

Until next time!

Bubbly

xoxo,
Bubbly 🎈


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