The LEGO Store on Kalverstraat: Amsterdam in Bricks

by Bubbly
9 min read
A brick-built Amsterdam canal house inside the LEGO Store, with a red roof, green shutters, a window box of brick tulips and a green parrot, its door open to the street

I am a LEGO person. I have the Sunflowers set on a wall at home, I have been counting down to the Klimt one, and a city with a flagship LEGO store was never going to see me walk past it.

The first thing inside is a canal house built at close to walking scale, with a stepped gable, green shutters, a window box of brick tulips and a parrot sitting among them. It has a door that opens, and there was a queue of people waiting to be photographed standing in it.

What I did not expect was to spend an hour treating a toy shop as a small museum of Dutch art and engineering. That is what this one is. The company has built the store around Amsterdam rather than dropping a standard shop into a Dutch postcode, and the difference is the whole point.

The LEGO Store Amsterdam at a Glance
🧱 What it is · LEGO’s Dutch flagship store, opened 2019, built around Amsterdam itself rather than a standard shop.
🗼 The models · A brick Munttoren by the door, a 3.35-metre windmill in the window, a canal under the floor, all free to see and none for sale.
🎨 The art · An M.C. Escher staircase and brick versions of Rembrandt, Vermeer, Frans Hals and Van Gogh spread through the store.
📍 Where · On Kalverstraat, the pedestrian shopping street south of Dam Square, two minutes from the real Munttoren.
💡 Tip · Take the stairs, not the lift. The Escher stairwell is the best thing in the building, and the lift skips it entirely.

Finding It

The store sits on Kalverstraat, the long pedestrian shopping street that runs south from Dam Square. It is the busiest shopping street in the city and it is not subtle, but it has one great advantage as an address: walk to the far end and the Munttoren closes the view straight ahead.

That matters here more than it sounds, because the first thing inside the store is the same tower rebuilt in bricks.

Kalverstraat in Amsterdam looking south towards the Munttoren, shoppers filling the pedestrian street under a blue sky
The tower is called the Mint Tower because of a brief spell in the 1670s when Amsterdam struck its own coins there, after war cut the city off from the mints it normally used. The real tower closes the view at the end of the shopping street.

The shopfront itself is easy to miss in that crowd, which is a strange thing to say about a company with a logo that recognisable. The clue is the corner window, where a brick windmill stands behind the glass with its sails up.

The corner window of the LEGO Store on Kalverstraat in Amsterdam, a large brick-built windmill with its sails up behind the glass, LEGO sign above
The windmill stands 3.35 metres tall. LEGO built it with sails that turn, along with lights and sound, as one of several models made specially for the store when it opened. It is the clue to a shopfront that is otherwise easy to miss in the crowd.

A Store Built About Amsterdam

Walk in and the Munttoren is there, brick-built and lit, standing on a plinth in the middle of the ground floor. The plinth itself is a work surface, with loose bricks set out on it for children to build small boats.

The interior of the LEGO Store Amsterdam, with the brick-built Munttoren lit on a plinth in the middle of the ground floor and the staircase behind
This is LEGO’s Dutch flagship rather than its first shop in the country. A smaller store had opened in a shopping centre in Utrecht a few weeks before this one took its place on Kalverstraat in November 2019. The plinth doubles as a build table for children.

That is the tone of the place, and none of the water in it is wet. A canal runs across the ground floor, built in brick beneath a glazed panel, with fish in it. A bridge spans the store overhead carrying Dutch inventions rendered in brick, among them the cassette tape, the microscope and the artificial heart. None of it is for sale. All of it is there to make an argument about the city the shop happens to be in.

The Staircase

The best thing in the building is the way upstairs.

The stairwell has been built as a homage to M.C. Escher, the Dutch graphic artist whose drawings of impossible architecture are probably the most famous optical puzzles ever made. Flights of brick stairs run up the walls at angles that cannot coexist. Some are upside down. Hats, parrots and small objects sit on treads that face the wrong way, so the eye keeps trying to work out which surface is the floor and failing.

LEGO describes it as taking visitors from the bottom of the store to the top. In practice everybody stops halfway and looks up.

The stairwell of the LEGO Store Amsterdam, built with brick staircases running at impossible Escher-like angles up grey brick walls, hats and objects on treads
LEGO designed the stairwell as a tribute to M.C. Escher, and describes it as an immersive route from the ground floor to the top of the store rather than simply a way between levels. The angles are built so no single surface reads as the floor.

The Dutch Masters in Brick

The paintings are not gathered into one room. They are spread through the whole store, on the ground floor beside the stairs, along the stairwell, and across the walls of the upper level, so the gallery is something the shop keeps handing back rather than a single stop. They are LEGO versions of Dutch masterpieces, built as relief mosaics in gilt brick frames, and each one has been given a minifigure face. It should be terrible. It is not, because the building underneath is serious.

The Rembrandt is a self-portrait, and it comes with numbers. A plaque on the frame records 18,952 bricks, 30 kilograms and 85 hours of building, and a second plaque on the wall explains that it was made in 2019 to mark 350 years since his death.

A LEGO relief mosaic of a Rembrandt self-portrait in a yellow brick frame, a minifigure face, with a plaque recording the build statistics below
The plaque records 18,952 bricks, 30 kilograms and 85 hours of building. The wall text beside it explains the piece was made in 2019, 350 years after Rembrandt’s death in 1669. He holds his palette and brushes in brick.

Next along is the Vermeer, the Girl with a Pearl Earring, and the plaque beside this one is the best piece of writing in the shop. It notes that nobody knows who the girl was, and adds that what they do know is that they built her out of 13,829 bricks.

A LEGO mosaic of Vermeer’s Girl with a Pearl Earring in a yellow brick frame on a white wall, a minifigure face beneath the blue headscarf
The plaque puts the build at 13,829 bricks and points out, correctly, that the sitter has never been identified. Vermeer’s painting is a tronie, a study of a type rather than a portrait of a named person.

The third is Frans Hals, The Merry Drinker, with his hat and his glass and a grin that survives the translation into brick better than any of the others. The plaque claims the painting took Hals close to two years and the rebuild took eighty hours.

A LEGO relief mosaic of Frans Hals’s The Merry Drinker in an orange brick frame, a minifigure grin on the face, with a Starry Night mosaic on the wall beyond
The comparison on the plaque is the store’s own. Hals was known for working quickly and with visible brushwork, which is part of why his portraits look caught mid-movement rather than posed. A brick Starry Night hangs on the wall beyond.

The Sunflowers

The one that stopped me was the Sunflowers, standing on a wooden easel rather than hanging, built as a proper three-dimensional relief with the flower heads raised off the surface.

I have this one at home. It is the LEGO Art set, 2,615 pieces, made with the Van Gogh Museum, and it follows the museum’s own canvas rather than the London version. Building it took me more days than I want to write down, and standing in front of the shop’s larger display version was a slightly odd sensation, like meeting a bigger relative of something on my wall.

A large brick-built version of Van Gogh’s Sunflowers on a wooden easel inside the LEGO Store Amsterdam, the flower heads raised off the surface in relief
LEGO developed its Van Gogh Sunflowers set with the Van Gogh Museum, working from the 1889 canvas the museum owns rather than from the better-known version in London’s National Gallery. The store’s display version stands on an easel rather than hanging.

Here is mine, finished and framed.

My completed LEGO build of Van Gogh’s Sunflowers in a white frame, the signature Vincent picked out on the vase, propped against a white wall on a wooden floor
The set was released on 1 March 2025 with 2,615 pieces. LEGO also made a brick installation of the painting, shown at the Van Gogh Museum in 2025 before moving on to LEGO House in Billund and LEGO World in Utrecht. This is mine, finished and framed.

Machines That Make Souvenirs

Two machines in the store turn visitors into the product, and both were busy the whole time I was there.

The Mosaic Maker photographs the customer and converts the image into a brick portrait, supplied as a kit to be built at home. The panel beside it advertises the local version of the idea, offering Amsterdam designs rather than a face: canal houses, tulips, a windmill, Van Gogh. It promises a ten minute build.

The LEGO Mosaic Maker machine in Amsterdam, surrounded by finished brick mosaics of canal houses, tulips, a windmill and Van Gogh, under a TAKE AMSTERDAM HOME panel
The panel offers Amsterdam subjects as an alternative to a portrait, under the line “take Amsterdam home”, and puts the build time for a finished mosaic at around ten minutes. What you carry out is a kit, not a framed picture.

The Minifigure Factory does the smaller version. Pick a body, a head, a hairpiece and a design, and the machine prints a custom torso on the spot. As souvenirs go it beats most of what Kalverstraat sells, and it takes up no space in a suitcase.

The LEGO Minifigure Factory machine in the Amsterdam store, with a brick-built Amsterdam city crest sign carrying two lions and three crosses beside it
The machine prints a personalised torso onto a blank minifigure while the customer waits. The brick sign beside it carries Amsterdam’s coat of arms, with its two lions and three crosses. It makes a souvenir that takes up no space in a suitcase.

The Business Story Behind the Shop

I studied this company at university, in management and marketing classes, as a case study in near-death and recovery. Standing in the middle of a store like this one, it is worth remembering how close it came to not existing.

In 2003 LEGO reported a pre-tax loss of 1.4 billion Danish kroner, with sales of play material falling by close to thirty per cent in a year. By early 2004 it was carrying around 800 million dollars of debt. The company had spread itself into theme parks, clothing, video games and publishing, and the range had swollen to roughly thirteen thousand product lines.

The board appointed Jørgen Vig Knudstorp as chief executive in 2004. He was thirty-five, a former McKinsey consultant, and the first person from outside the founding family to run the business in twenty-five years. What he did was mostly subtraction. The product range came down from about thirteen thousand lines to seven thousand. The Legoland parks were sold to Merlin Entertainments, with LEGO keeping the licensing and getting out of running them. Everything that was not the brick was cut, outsourced or sold.

What came back afterwards was licensing done the other way round, bringing other people’s worlds onto the brick rather than taking the brick into other businesses. That is the reason a shop like this can hold a four-year-old and a forty-year-old at the same time.

The shop floor of the LEGO Store Amsterdam seen from above, with brick arches, product walls, a glazed brick-floor canal and customers browsing
LEGO cut its product range from roughly thirteen thousand lines to seven thousand during the turnaround that began in 2004, and sold its Legoland parks while keeping the licensing rights to them. The brick canal runs across the floor under glass.

The stores are the visible end of that. This one is not a shop with some models in it. It is a small exhibition that happens to sell things, and it works because somebody decided the Amsterdam branch should be about Amsterdam.

Bubbly Tips

  • Go for the building, not the shopping. The models, the staircase and the brick paintings are free to look at and none of them are for sale. Treat it as a twenty minute attraction and buy nothing if you like.
  • Go early or late on a weekday. Kalverstraat is the busiest shopping street in Amsterdam and the store fills up accordingly. Mid-afternoon at a weekend is the worst of it.
  • Take the stairs, not the lift. The Escher stairwell is the best thing in the building and the lift skips it entirely. Look up when you reach the half landing.
  • Read the small plaques. The brick paintings each carry a plaque with the piece count and build hours, and the wall texts beside them are funnier than they need to be.
  • Allow time for the Minifigure Factory. Designing and printing a custom minifigure takes longer than expected once there is a queue, and it makes a far better souvenir than a fridge magnet.
  • The Mosaic Maker is a kit, not a finished picture. You take home a box and build it yourself, so factor in an evening at the other end rather than expecting a framed portrait on the spot.
  • Bring children to the boat tables. The build-and-sail water around the Munttoren is genuinely designed for them, and it buys the adults ten minutes to look at the paintings.
  • Pair it with the Munttoren and the flower market. The real tower is a two minute walk from the door, and the floating flower market runs along the Singel just beyond it.
  • Ask about the store’s exclusive sets. Flagship stores stock things the smaller branches do not, and the staff will tell you which items are worth buying here rather than at home.

Final Thoughts

I went in for the reason anybody goes into a LEGO store, which is that I have never really stopped liking the things. What kept me there was the decision somebody made about what this particular branch should be. A windmill in the window, a canal under the floor, a Mint Tower by the door, Escher up the stairwell, and Rembrandt, Vermeer, Hals and Van Gogh along the wall upstairs.

None of that had to be there. A shop on the busiest street in the city would have sold the same boxes with plain white walls. Somebody argued for the harder version, and the result is the only toy shop I have ever left thinking about art history.

Until next time!

Bubbly

xoxo,
Bubbly 🎈


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